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Magazine P L S #40
P L S 40
normes corps
The magazine of the Palais de Tokyo
Release date: 2 April 2026
Issue 40 of P L S magazine features a constellation of artists and critical thinkers whose practices are shaped by the lived experiences of disability and issues of accessibility. From the 1970s to the present day, these perspectives have interrogated the foundations of North American and Western European societies, crystallised around ideals of speed, autonomy, performance, and hyperproductivity. Each contribution exposes the mechanisms of ableism that establish a hierarchy between bodies. Together, they remind us that the supposedable-bodiedness on which this system rests is anything but permanent.
From poetry to archival materials, essays to visual artworks, they reclaim a place for bodies and beings that have been historically erased, heavily stigmatised, and that the present continues to push out of futures to come. Problematising the status quo of sociality, disability cultures emerge as a critical force. They open up new perspectives and aesthetics, adapting cultural practices and methods to fit our realities, rather than the other way around. In doing so, they shift norms, push the limits of representation, and imagine futures attuned to the impermanence of bodies, states, and environments.
In this issue:
Texts and visual contributions by Panteha Abareshi, Salomé Burstein, Lucie Camous, Étienne Chosson, Eulalie Combe, Rosemarie Garland-Thomson, Arthur Gillet, Joseph Grigely, Diane Maroger, No Anger, Benoît Piéron, Cheryl Marie Wade, Emily Watlington
This issue is published on the occasion of a new season of exhibitions at the Palais de Tokyo (03.04 – 13.09 2026), in particular: Joseph Grigely’s solo show This Is Where We Are, Benoît Piéron’s solo show Shadow Polish, and the group show Cheryl Marie Wade, the Queen-Mother of Gnarly.
Graphic design: Morgane Masse
See more normes corps
The magazine of the Palais de Tokyo
Release date: 2 April 2026
Issue 40 of P L S magazine features a constellation of artists and critical thinkers whose practices are shaped by the lived experiences of disability and issues of accessibility. From the 1970s to the present day, these perspectives have interrogated the foundations of North American and Western European societies, crystallised around ideals of speed, autonomy, performance, and hyperproductivity. Each contribution exposes the mechanisms of ableism that establish a hierarchy between bodies. Together, they remind us that the supposedable-bodiedness on which this system rests is anything but permanent.
From poetry to archival materials, essays to visual artworks, they reclaim a place for bodies and beings that have been historically erased, heavily stigmatised, and that the present continues to push out of futures to come. Problematising the status quo of sociality, disability cultures emerge as a critical force. They open up new perspectives and aesthetics, adapting cultural practices and methods to fit our realities, rather than the other way around. In doing so, they shift norms, push the limits of representation, and imagine futures attuned to the impermanence of bodies, states, and environments.
In this issue:
Texts and visual contributions by Panteha Abareshi, Salomé Burstein, Lucie Camous, Étienne Chosson, Eulalie Combe, Rosemarie Garland-Thomson, Arthur Gillet, Joseph Grigely, Diane Maroger, No Anger, Benoît Piéron, Cheryl Marie Wade, Emily Watlington
This issue is published on the occasion of a new season of exhibitions at the Palais de Tokyo (03.04 – 13.09 2026), in particular: Joseph Grigely’s solo show This Is Where We Are, Benoît Piéron’s solo show Shadow Polish, and the group show Cheryl Marie Wade, the Queen-Mother of Gnarly.
Graphic design: Morgane Masse
About :
Bilingual (French / English)
112 pages
Format: 21 × 28 cm (softcover, saddle stitching)
ISSN: 3073-8458 / ISBN: 978-2-84711-153-8
5 € (FR)
